Sunday, December 9, 2012

The Wraith-queen of Edessa

   Once upon a time there was a prince named Lucan. He wasn't a good prince; he was an excellent one, known throughout the kingdom for his humility, generosity, and kindness: he did not shun the dirty work of peasants, but was himself the kingdom's finest shepherd. He did not scorn beggars or others who came to him for aid; instead, he always gave them money and a meal, which he fixed with his own hands. He did not terrorize the peasants or lash out at others with angry words. On the contrary, he was the first to bring the peasants food or clothing, whatever their needs may be, and to those around him, noble or peasant, he always spoke with courtesy and respect. One shouldn't assume, however, that Lucan was a coward because he was so gentle; far from it. When there was war, he was the first to volunteer, the first to fight on the front line beside his older brother, and the last to retreat or yield. Nor could anybody truthfully say that he was weak-willed. If he ever saw injustice, he would address it and put it right in an instant. When he was sure he was in the right, a rolling boulder couldn't budge him. Thus, the whole kingdom, including his father and older brother, praised him and often declared its love for him. So Lucan, though only being a second son, had already made a name of goodness for himself at age sixteen. Furthermore, he was handsome as well as good, with almond-colored hair, blue eyes, and a fine-featured face, and it wasn't long before he attracted the eye of a nobleman's beautiful daughter named Mella. Lucan returned her affection and their attraction blossomed into love. When Lucan was twenty, they plighted their troth to each other. Their fathers approved and so, Lucan and Mella planned to marry after the wedding of Lucan's brother, who was already engaged. Soon afterward, the whole kingdom was busy preparing the feast, games, and musical performances for the joyous occasion. This was the happiest time of Lucan's life. He was serene and giddy at the same time.
   One night, as the festivities were being prepared, Lucan took a walk in the palace garden to gaze at the stars. The air was fresh with the scent of flowers; the moon was a beautiful, milky white; and the stars winked and twinkled at Lucan, as if to say, “Life is sweet, is it not, Lucan?” “Yes, stars,” Lucan sighed, “life is sweet. All is well. I am the luckiest man in the world: both my brother and I will soon be joined in marriage to the women of our dreams; both my father and my brother love me and are proud of me; the kingdom is pleased with me as well. Indeed, life is a happy dream for me. I have nothing to complain of.” After this happy reminiscence, Lucan turned to go back into the palace and help with the preparations - but stopped. His brother's fiancee, Juna, was in the garden with him. She had followed him. She smiled at him. Lucan smiled back, but he felt uncomfortable. There was a look in Juna's eyes that reminded him of the look in a fox's eyes, when it tracks a hare. Still smiling, she came very close to him and said “Well handsome, I'm glad to catch you here alone.”
   Stunned, Lucan gaped at her for a few seconds, but then composed himself and asked her why. Juna laughed. “There's no need to be so nervous, Lucan. Your brother isn't here; nobody's here. You know,” she said, lowering her voice to a whisper and putting her hands on his shoulders, “I think your fiancee is a lucky woman. Very lucky, indeed. Let me show you just how lucky.” With that, she embraced him and tried to kiss him, but he pushed her away from him. She tried to embrace him again, but he pushed her away again. When she still held on to one of his shoulders, he rushed past her and out of the garden, his white cloak torn off his shoulders in her hands.
   Lucan hurried to his room, shocked and frightened. He didn't know what to do. He didn't want to be a tale-bearer, but neither did he wish to keep secrets from his brother. After several hours of pondering, he said to himself,“I guess I'll just have to talk to Juna in the morning and explain to her that such a thing can never happen again, or else I'll have to tell my brother.” This plan still meant hiding a secret from his brother, so he didn't like it much; but he couldn't think of a better one. So he then went to bed. Unease and foreboding plagued his dreams.
   A furious thudding on his bedroom door woke Lucan up. He got out of bed and opened the door to find a furious brother and father standing with armed guards standing in the doorway. His brother was holding a white cloak in his hand – the cloak that Lucan wore in the garden last night. “Brother, what are you doing with my cloak?” Lucan asked.
   “Don't you do dare call me brother!” was the red-faced reply. “Juna told me that you tried to kiss her in the palace garden last night.”
  “Juna told you that?” The question mumbled out of Lucan's mouth from his blank mind.
  “Yes, Lucan, she told me. She came to me in tears telling me about how you tried to kiss her and then ran off like the yellow-livered, slinking, cowardly weasel you are when she refused to kiss you back. You would have gotten away with it too; you would have left me still believing you to be the faithful, loving brother you masquerade as; but you left this,” his brother held the cloak to Lucan's dazed eyes, “as proof of your crime. You two-faced dog!” With that, he laid Lucan out on the bedroom floor with a blow to the face.
   “I am deeply disappointed in you, Lucan,” said his father, picking Lucan up by the shoulders and shaking him. “I never thought you capable of such cowardice, such indecency, such betrayal! You seemed so innocent, so gentle, so loving; ah, how guileful man can be! But mark my words,” his father's eyes bored into him, “you won't escape punishment because you are my son. Death is what you deserve. But neither your brother nor his fiancee wish to go to the marriage altar stained with your blood; and I do not wish to kill one of my own sons, no matter what shame he brings to me. But you'll feel the sting of your crimes alright.”
   Lucan's father then struck him in the face also and ordered the guards to seize him. Lucan was dragged from his bedroom, out of the palace, and to the public square, his protests of innocence and attempts to explain ignored the whole way. The king ordered the guards to tie Lucan to a pole in the center of the public square – the pole where they had public hangings or floggings. On the king's command, one of the guards stripped Lucan to the waist and scourged him twenty times. Afterward, the king had Lucan tied to a horse and led to the border of the kingdom. Along the way, the people of the kingdom came out and glared at Lucan as he passed, muttering about “wolves in sheep's clothing” and how “Goody-two-shoes finally showed his true colors”. By the time he was at the border, people were spitting, jeering, and throwing vegetables at him. There, the king made a public decree that Lucan was banished from the kingdom forever on pain of death. The guards untied Lucan and thrust him into the river marking the border of the kingdom. Despite his bleeding, sore back, Lucan somehow swam safely across the river and climbed up its bank onto a path that led straight forward.
   Lucan sobbed as he started to hobble along the path. He couldn't understand why his father and brother wouldn't listen to him, why they chose to listen to a fiancee instead, why they had banished him on the word of a fiancee. The whole thing just didn't make sense. After a few hours of walking and crying, Lucan's head spun from loss of blood. He needed to bind his wounds. He sat down and, being still shirtless, he began to rip pieces of cloth from his pants when a rock hit his right eye. Lucan looked up, his eye smarting. There, leaning against a wall five feet higher than him, was a beggar with a nasty smirk on his face. “Sorry there, Prince Blubberface,” jeered the beggar, “did I hurt your poor wittle eye? Poor wittle prince, all alone, don't have his jewels and fancy clothes anymore. Don't even have a shirt. Here, here's a gold crown for ya.” The beggar threw another rock at Lucan, hitting him in the shoulder.
   Lucan bristled and steeled himself to give the beggar a sound beating to teach him about cruel blows and cruel words. However, before he even stood up, two hooded men appeared over the wall, stretched out their arms, and pulled the unsupecting beggar over the wall to the other side. Lucan blinked and then started to hobble towards the wall, but stumbled to a stop. He had been too preoccupied with his grief and the the beggar's cruelty to recognize the wall at first. Now he realized it was the wall of the ruins of a long past kingdom called Edessa. Ruins where for over two hundred years the wraith of the last queen of Edessa had been rumored to abide. No one tried to live in the ruins; travelers stayed as far away from it as they could on the road. Now fear began to creep through Lucan's bones and he wanted to run away. But the beggar...he may have been a cruel man, but Lucan couldn't just leave him in the hands of the hooded men. Who knew what they were doing to him? So Lucan limped over to the wall and jumped. His fingers found the edge of the wall, and he strained to pull himself over, but his back screamed with pain. For a moment, he was afraid he was going to let go and drop down on the hard ground. But two more hooded men grabbed his wrists and pulled him over the wall. They dragged him for several hours through the remnants of various buildings into the courtyard of what had once been a palace. Here, the first two hooded men Lucan had seen were holding the tied and frightened beggar. Lucan's captors halted and waited.
   After ten minutes or so, a chill blew through the air and then a door opened and closed. Lucan couldn't see who had opened the door at first. Then a pair of starved brown eyes stared at him from the shadows. The leaves lying on the floor rustled, as if by footsteps. The brown eyes started moving towards him. As they neared the edge of the shadows, the outline of the arms, legs, dress, hair, face, and mouth of a woman began to appear. The closer the eyes came, the more the body came into view. By the time the eyes were in the center of the courtyard, Lucan saw a thin, pale young woman with long white hair wearing a royal robe that had lost its color a long time ago and an once golden crown. Her skin was so transparent that Lucan could make out the white bones underneath her limbs and the white skull covered by her face. Lucan shuddered and tried not to look very hard. Here was the Wraith-queen of Edessa. “Well, well,” came the voice of the Wraith-queen – a shadow of a voice that three hundred years ago was deep and strong. “What pleasant surprise do we have here?” She didn't sound either pleased or surprised.
   “Trespassers in your domain, Your Majesty,” said one of the men holding Lucan. “That one over there,” he pointed towards the beggar, “was skulking around your wall. We pulled him over and then this one,” he kicked Lucan, “tried to climb over the wall after him, so we got him too.”
   The Wraith-queen turned towards Lucan, eyebrows raised. “You tried to come after him, eh? Is he a friend of yours?” she asked.
   The word “no” rose to Lucan's throat, but he clenched his mouth on it. The beggar was white and sweating with fright; Lucan didn't want to see him punished. Lucan took a deep breath and, gazing into the Wraith-queen's eyes, answered, “He's my servant, Your Majesty. As you can see, my back is hurt. So I sent him to search your domain for herbs to heal it. He was looking around the wall for them when your men seized him. Naturally, I'm duty-bound to go after a loyal servant, so I did. Please,Your Majesty,” his blue eyes pleaded with her lifeless brown eyes, “do not punish obedience. I am his master. I am responsible for his crime. Punish me as you will, but spare him, I beg you.”
   “Is this true?” the Wraith-queen asked the beggar. Eyes wide, the beggar nodded, his head bouncing faster than a drum stick. The Wraith-queen turned back towards Lucan. “Very well. You sent your servant to trespass in my domain. You are the offender here. You shall receive your just deserts.” She stretched her arms out towards Lucan and began walking towards him. Lucan shut his eyes, shivering. In ten seconds, she would be upon him. One, two, three, four, five – there was a scream. Lucan's eyes snapped open. The Wraith-queen was moving towards the beggar, not him. The beggar was shrieking for his life, protesting that he was innocent, that Lucan had sent him into the domain, that Lucan had said so himself; all in vain. The Wraith-queen kept walking towards him. Then she placed one hand on each of the beggar's cheeks. The beggar's face, already white, yet grew whiter and whiter until it made snow look black. His shrieking died down to gasping. Finally, his lips stopped moving, and the men holding him let him and hastened to the edge of the courtyard. The Wraith-queen released his face, and he fell to the ground, eyes still wide open. Never to move again.
   The Wraith-queen turned back towards Lucan, who was speechless with horror. “Your life is spared,” she said, “but you will serve in Our domain for the remainder of your lifetime, to do whatever it pleases Our Majesty.”
   “Madam,” gasped Lucan, “why do you spare me and not him? I told you, I sent him into your domain to get herbs for me. That alone would make me as guilty as he, but I also tried to climb your wall to go after him. That makes me doubly guilty. Why not kill me?”
   “My dear boy,” chuckled the Wraith-queen, “you can stop trying to lie to me. You don't execute trespassers for two hundred years without picking up a few things, you know. When I asked the beggar if he was your friend, he looked at you with fear in his eyes, as if he was expecting you to denounce him. When you told your story, laying all the blame on yourself, there was surprise and relief in his eyes. He clearly wasn't expecting you to say that. When I seemed to be about to kill you, there was no concern for you in his eyes. There wasn't even gratitude. Only relief and an urge for me to kill you instead of him. Obviously then, he was not a loyal servant wanting to help his master; he was an enemy who had injured you. Yet he let you risk your life for him, without lifting a finger to help you. He sold your life to keep his; therefore he lost his life. You sold your life to keep his; therefore, you kept your life. Don't worry, Lucan,” she grinned at him, “in a short time, you will most likely wish you had died with him. And now, my new servant, tell me your name and your story – how you come to wander near the infamous, haunted domain of Edessa.”
   Lucan told her his story in a daze, numbed by everything that had happened to him. The Wraith-queen listened without interrupting, all the while staring at his face. When he had finished, she continued to stare at him for a few more minutes. Then she spoke to her henchmen, “Treat his wounds and bind his back. And give him a shirt. He's going to need it for the cold nights here. As for you,” she said to Lucan, “when my men are done with you, come to this courtyard and start cleaning it. You will work until midnight, and you will rise at dawn to work until midnight again. That is how you will spend your days for the remainder of your lifetime. Now go.”
   One of the henchmen holding Lucan growled, “Why should we play nurse to this whelp here? He's a servant; he should tend his own back.”
   The Wraith-queen turned to the henchman. “Machen,” she said, “you're one of my servants too. Do you think I really care about your feelings concerning my orders to you?” She smiled as she said this, but her skeletal figure now showed through her skin and clothes as if through clear glass. Lucan could see the grinning skull holding her eyes beneath her smiling face. 
   Machen seemed to not find it a pretty sight, for he stammered in a gulping voice, “Er – no, Your Majesty. Sorry, so sorry.” The men hurried then off with Lucan
   The henchmen did as their queen ordered, treating Lucan's back and giving him a shirt. Lucan, back still aching, limped back to the courtyard. He buried the beggar, who had been left there, and marked the grave. He then started to clean the courtyard by cutting down and digging out the brown grass, ivy, and black tree branches thickening in it. He worked until midnight. But even then he did not go to sleep for many hours. For he had discovered bones in the courtyard. Human bones. The bones of men, women, and children. Some recent, some old. Some unmarked, as if they had been killed by only a touch – the touch of a wraith. But many others twisted, broken, hacked, and cracked, as if they had died horrible, gruesome deaths. With the bones burned in his mind's eye, Lucan finally slept a slumber full of nightmares.
   Thus, for many months, Lucan spent his days as a servant for the Wraith-queen. While he occasionally did small services for the henchmen, such as fetching water, his main task was cleaning up whichever structure was assigned to him. Each day of servitude was a miserable one. For the first few weeks, he had to fight the pain of his flogged back. Even after his back healed, working from dawn to midnight was not easy. He couldn't comfort himself with friends; the henchmen were malicious souls who worked for the Wraith-queen out of both fear and an enjoyment of seeing her punish trespassers; not the sort of company a good man like Lucan could enjoy, or who would enjoy him. As for the Wraith-queen, he did more than once catch her watching him, sometimes melted into the background so much that he only saw her eyes. But she only spoke to him to give him an order, and he was rather glad of that. Nevertheless, it wasn't the work or the solitude that dispirited him; it was the constant discovery of human remains. Every day, at one place or another, he found either whole skeletons, or various skeletal parts, which were either disfigured or without a mark. The disfigured ones he found by a hundred a day, the unmarked ones by a dozen a day. And so, his nights were a succession of dreams full of bones, death, and the Wraith-queen.
   His soul groaned groaned at first as he imagined the terror and agonies of the owners of the bodies; then after two months it flared up with anger, for he began to suspect that these had been victims of the Wraith-queen. Those whose bones were disfigured she had killed while she was still a living, human queen. Those whose bones had no mark she had killed as a wraith. “That monster may as well be the wife of the devil himself,” Lucan gritted through his teeth. “So she'd kill the beggar for selling my life for his, eh? Well, it's a pity someone didn't kill her more than two hundred years ago for all the lives she sold for Her Royal Beastliness's pleasure!” From then on, he put away any thoughts of escape; it was not fair that he should escape slavery to the Wraith-queen, when so many others hadn't escaped death at her hands. He then decided to give those bones rest. He couldn't bury them all, so as he cleared tree branches, grass, and ivy, he gathered the vegetation into a pile and carefully put the bones on the pile. He set the pile on fire, burning the bones. Then he dug a hole, put the ash in the hole, covered the hole, and marked it by laying three stones next to each other on the hole. And from then on, he always burned the bones he found, dug a grave for the ash, and marked the grave. He would sometimes have to dig a very large hole, but he would dig it nevertheless. He was going to give those people some dignity after they had been lying around like debris for so long. Nobody stopped him: the henchmen, though cruel and hardened, did not enjoy the company of bones and were glad to see them disappear; the Wraith-queen watched him more frequently and for longer periods of time, but she didn't interfere. Thus, Edessa became a little more pleasant: the air became cleaner and less heavy with fear; green grass and flowers grew on the graves; silver and brown saplings grew instead of black trees; and the henchmen grew less hardened and more respectful to Lucan. Lucan wasn't happy, but neither was he numb or frightened any longer.
   One day, in the seventh month of his captivity, Lucan was cleaning up the palace. It was the same as the rest of the kingdom; full of overgrowing vegetation and skeletal remains. The bones, however, were the oldest Lucan had yet seen. They were in the halls, the bedrooms, the court, the ballroom, and the palace garden. In the garden, they were hanging from the trees; and there were poles, some with bones hanging from a crossbeam on top, some with piles of ashes around them. There was a stone fountain that had dried up a long time ago. In the fountain, there were bones tangled among the bushes growing in the fountain. The Wraith-queen had made a horror out of everything that should be beautiful and pleasant. Lucan cleaned up the garden like he had done every other building. As he was clearing away some bushes at the north wall, he uncovered a door. It was a very old door; the wood was very rotten. Lucan tried to turn the latch and, when that didn't work, broke a hole through the wood. He stepped inside, expecting to see skeletons leering on chains from the walls around him. But there were no bones. There was a spiraling corridor ahead of him, though, that went downward. Using flint, Lucan made a torch from a scrap of wood from the door and a piece of his shirt. He then went down the corridor, expecting it to be very long and to lead to either a treasure trove or a torture chamber filled with victims. However, the corridor was hardly long; he was at the end of it in two minutes. And it was a torture chamber, but there was only one skeleton prisoner and only one instrument of torture; the skeleton of a woman and a rack. The skeleton lay on the rack. Chains had stretched its arms out of their sockets. “What woman offended Her Royal Beastliness so much that she was tormented in the torture chamber and not in a place more proper for such things, like a garden?” asked Lucan dryly.
   “Would you really like to know?” said a voice. Lucan spun around. He bent the torch forward. At the bottom of the corridor, the light caught a pair of brown eyes. The Wraith-queen materialized into sight. “Would you really like to know Her Royal Beastliness's reasons for that skeleton lying on the rack? For the skeletons decorating her entire kingdom, including her garden, which you have so kindly disposed of? For these ruins of a once happy realm called Edessa? Would you like to hear the story of the monster who never got her well-deserved death?” Her voice both mocked and challenged Lucan.
   Lucan was afraid for a moment, but then anger at all the Wraith-queen's horrible crimes he had seen evidence of replaced fear. He put his hands on his hips, set his jaw, frowned into her eyes, and said, “Yes.”
   The Wraith-queen stared at Lucan for a few moments. Then she crossed over to the rack, sat on it, and said, “Very well. Here it is: more than two hundred years ago, I was the first-born princess of this realm and my name was Kila. I was beautiful, with long golden hair and deep brown eyes. I was both talented and learned; I could play instruments, quote literature and poetry, ride horses, compete in archery, and play chess. And I was loved by all; my father loved me because I was beautiful and respectful to him, and the people loved me because I aided in charity and good works. All called me good. All was well for me. But I had a younger sister named Tael. She alone did not love me. For while all except her loved me, none, including me, loved her. She, being ugly, was mocked at court. She bungled in all the areas where I excelled, even though she worked hard and practiced often. And so, both her teachers and Father patronized her. She then became malicious to all, including me. Eventually, everybody hated her. Compliments to me were often made at Tael's expense, with such words as, 'Ah, if Tael were half as such and such as her sister, she would not be such an object fit for ridicule.' Hearing these words everyday, I grew to despise Tael and my heart took pride in its morality, so superior to her wretchedness.
   On my twentieth birthday, after I had discovered that she had put bugs in my bed, I scolded her, saying, 'Tael, every day I thank divine providence for giving me such a pure heart, especially after I daily see what a dirty little wretch you are.' To this day, I remember the look on her face at my words; I swear that if she had a knife, she would have stabbed me in every vein there and then. But she said nothing, and just walked away. Ah, but not walking away to leave alone. Walking away to a witch hidden in the city. Walking away to buy a potion from a witch. A potion that made the person who drank it more and more evil with each day. And made the person live forever with their evil heart. The next day, my sister put the potion in my wine before supper. That night, my thoughts were more wicked than they were usually. And they grew more wicked each day. Soon they grew to wicked words and wicked actions. In a month, I had murdered my father for the throne. In a year, I was a hated tyrant.
   I outdid myself in cruelty each day; no subject in my realm, whether man, beast, woman, or child, was safe from my malice. Soon rebellions and plots arose against me; the people of Edessa turned to Tael as their new ruler and savior. She led the people against me, but I brutally suppressed the uprising. I captured my sister. I hated her more than I had ever hated anyone. For she had been the outcast and now she was more loved by the people than I had ever been. I took her to this chamber and tortured her on this rack. She died that night; but before she died, she told me this through her pain, 'My beloved sister, my pain will end tonight, and if not tonight, then someday. But as for you, your pain will never end. You will live hated and feared by all forever; and your evil will slowly wear you away until you are no more than a malicious mind.' Frightened, I asked her what she meant. She told me what she had done to me, how she had enchanted me to be wicked. Horror overtook me, for sometimes I myself had not been able to understand my evil desires; but now, I understood them too well. And I understood my doom. My sister laughed and said these words, 'Kila, tonight I thank divine providence for giving me such a pure heart, especially after I daily saw what a dirty little wretch you are and will forever be.' Then she died. Her pain ended that night. In a few years, those subjects who were still alive fled the kingdom. My servants, sick of being the instruments of my malice, killed themselves. And so, I was left alone. I, knowing my curse and wanting life no more, stabbed myself in the heart. Oh! The blood flowed, the knife hurt! But I did not die. In desperation, I tried all forms of death: hanging, drowning, starving myself. But all in vain. Pain came to me, but not death. So I lived and wandered through this kingdom. Sometimes I wandered a little out of the kingdom; I agonized myself with the sight of others' happiness, which I still had to see because I needed to remind myself of what happiness once was for me; and I comforted myself with the sight of others' misery, which did not comfort me long, for their misery ended while mine would last forever. I started to fade, and I have continued fading. In another century, Lucan, I will be what my sister said I would be. A malicious mind and no more.”
   The Wraith-queen became silent and looked like she would cry if she could. All the anger that had been in Lucan's heart changed to pity and sorrow. He gently said, “I'm so sorry, Your Majesty. This could have happened to anyone; you didn't deserve this fate.”
   “Didn't I?” laughed the Wraith-queen harshly. “Didn't I, Lucan? I may have been truly good at first, but now I realize that I did good works in my later years only for the praise that went with them, not out of genuine good will. I had every advantage over my sister; that was why people loved me and not her. Yet, instead of pitying her, I scorned her. I was unkind to the one who needed my kindness the most. Beastliness to one's own family, even if it just be one member of the family, cannot be washed away by generosity to strangers. I did not know what it was like to be hated, so my sister showed me. Besides,” her eyes pierced through Lucan, “my heart couldn't have been that incorruptibly good if it only took a potion to make it the heart of a monster.”
   Lucan sat there thinking for several minutes. Then a horrible notion occurred to him. “Do you think,” he slowly asked the Wraith-queen, “that my brother and father were so ready to believe my guilt, that they were so ready to cast me out because...they were envious of me?”
   To his dismay, the Wraith-queen nodded. “At night, I have made visits to your kingdom while you slept. I am able to be almost invisible if I wish, a cold presence at most. This is what I have learned: your brother and his lovely fiancee, or wife I should say, are not easy in their marriage. Both know that Juna is at fault, but your brother is unwilling to punish her. He is jealous and does not want to admit that he lost his fiancee to his younger brother. Your father is tired and does not sleep. He too, knows your innocence. But he punished you because he knew you were a better man than him; he couldn't stand that. The kingdom too knows your innocence. At dinner, families of all ranks mutter and gossip about how you were such a white-faced liar and deserved what you got; but their eyes tell plainly that they know they have allowed the best man in the kingdom to be banished from them. The whole kingdom knew your goodness; your true goodness, that wanted no reward or praise for it. And it could not stand it and will not have it back. Only one still remains faithful to you; your fiancee, Mella. At night, more than once she's tried to escape out of her house to leave the kingdom and find you. At dinner, she implores her father to plead to the king on behalf of your innocence. When her father denounces you, insisting on your offence against Juna, she scowls and insists that Juna is a liar. When she goes to bed, she weeps that she will never see you again. Mella is the only one who truly loves your virtue, Lucan. You chose your sweetheart well.”
   Lucan's eyes had filled with tears as the Wraith-queen described his family's feelings towards him. But he felt a warmth dry his tears when he heard what Mella thought about him. “Your Majesty,” he asked, “may I ask a boon? Would you – could you find a way to bring Mella here? I must accept my life as a servant here; but it would make it easier for me if Mella was here. This is not the best place for a wife, I know. But if she knows what her future will be and is still willing to have me, I would gladly take her into my arms.”
   The Wraith-queen smiled at Lucan; it was the shadow of a loving smile, but the sweetest one yet. “Gladly I will do more than this for you, Lucan. I will find a way to get you back home.”
   “But-t-t Your Majesty,” stuttered Lucan, “why would you do this? You made me your servant for life as punishment for trespassing; why would you show me such kindness?”
   The Wraith-queen answered, “Well, you cleaned up my home rather nicely. And you pitied my misery after I told you my story. As a matter of fact,” she said, the shadow of sadness and regret on her face, “you're the only one I've ever told my story to. Too long have I caused misery to others. Before I fade away to a powerless mind, I would like to do some good. So, Lucan, home you shall go if I can help it. And from now on, it's Kila to you, not Your Majesty.” She glanced at the skeleton on the rack. “You may as well lay my sister to rest. She's waited long enough.”
   Lucan nodded, thanked Kila, and proceeded to deal with the remains of Tael. He left the corridor skipping.
   A month later, a messenger from Lucan's kingdom rode to the wall that Lucan had been pulled over. He blew a horn and announced that Lucan had been invited to a banquet in the palace by his father, the king, to dine with him, Lucan's brother, and Juna in hopes of reconciliation. The messenger then rode away. At first, Lucan's heart filled with joy, but suspicion soon clouded over it. He told Kila about the message. She grinned. “I said I would get you back home, Lucan. And it seems I have. For the last month, I've been haunting your kingdom, particularly the palace. Oh, your darling family has had many a sleepless night, I can tell you. First, I started just appearing and then disappearing in their sight. Then I went on to asking them about you: what had happened to Lucan, where was Lucan, what did Lucan do in the palace garden, and other such questions. That made them shake!” She chuckled. “Then I told them that you were suffering, that you were living a living death. Oh, how they moaned and cried! Then I kept saying 'Edessa', 'Edessa', 'slavery in Edessa'. That had them begging for mercy! It looks like they've taken the hint.”
   Lucan opened his mouth to scold Kila, but thought better of it. “So you think they truly want to make it right?”
   Kila frowned. “I don't know. They certainly want to stop the ghost visits. But if they're so penitent, why not come to you instead of asking you to come to them?”
   Lucan sighed. “I suppose you're right. But I don't want to spoil it if they are sincere. I'll just have to go.”
   Kila nodded. “I'll follow behind you,” she promised. “You may not see me, but I'll be there.”
   Lucan thanked her and prepared to leave. He left through a hole in the wall that had to be shown to him by Kila, since it was covered with bushes. He crossed one of the two bridges spanning the river border and from there, traveled all the way through his kingdom to the palace on foot. Along the way, people stared and hid from him, as if he were a ghost. He paid no mind to them; knowing their treacherous hearts, he cared little what they thought of him. He went straight on into the palace; the guards let him through without a word. He then went into the banqueting hall. There his father, his brother, and Juna were seated. Juna didn't look him in the eye. His brother scowled. His father kept his composure with difficulty. “Welcome, Lucan,” his father said. “Have a seat, please.”
   As Lucan sat down the doors closed behind him with a bang. The guards closed the side doors, too. Something was wrong; at banquets, the king always ordered the doors to be left open. But Lucan didn't comment. He looked his father square in the face and said, “Father, the messenger you sent said you wished for reconciliation. Here is my answer: I have been severely wronged, Father. You flogged me for a crime I did not commit without hearing me out. And then you banished me from the kingdom still without giving me a chance to defend myself. I have not seen my home for almost a year. I have been cut off from all the people I love here, including you, Father, and you, brother. However, if you ask for my forgiveness, I will forgive all, including Juna's fault. We will hear no more of it. What say you, Father?”
   Whatever Lucan was hoping for, it was not the answer he received. The king's face turned crimson with rage, and he replied in a low, dangerous voice, “So you've been sending ghosts after us, to make us roll over and beg for mercy, have you, you miserable schemer! Well, now you're here and your ghost isn't. Your ghost may haunt us this night, but we'll finish with you first!” Then the king and Lucan's brother seized swords that had been hidden under the table cloth and sprang over the table at Lucan. Juna ran off shrieking to hide in a corner. Lucan, falling back in his chair, got up and used it as a shield. It was him and his family; the guards had left the room. His father and brother hacked and thrust at him, but Lucan, fighting with the strength of anger, now twice hot, defended himself well. He bruised his father and brother, they pricked and cut him. The fight lasted for several minutes, but finally, the brother found an opening and stabbed Lucan deep in the side. He fell down. His brother and father raised their swords to finish their work. 
  “Kill me!” Lucan growled at them. “Kill me! I'd rather die than live with traitors such as you for family!”
   In a few seconds, those would have been his last words. But then the main doors opened and a chill blew through the room. There, standing in full sight, was Kila and next to her stood Mella, who rushed to Lucan's side. Just as it had done when Machen had spoken out of turn, Kila's skeleton showed through her skin and clothes as if through glass. But her face was not smiling; it was as set as stone; there was death in her eyes. “Begone, foul traitors,” she commanded, her gaze sweeping over the king, the brother, and Juna. “You have shed innocent blood and betrayed your own kin. Leave this realm and never return, on pain of being haunted in your dreams for the rest of your miserable lives.” The king, the brother, and Juna, ashen faced and shaking, scrambled to a side door and left, never to be seen again. Yet Lucan was bleeding out; his wound was mortal. He was dying.
   Mella held him in her arms and cried, “I tried to warn you, truly I did, Lucan. But they had me locked up in my house. I only got out because she,” glancing up at Kila, “came for me.”
   “This is true,” Kila said. “I found it strange that she was not rushing out into your arms, so I took a quick peek at her house. There were guards there, which made me even more suspicious. I scared the guards away and asked Mella why they were there. She told me what was going to happen, that your father, your brother, and Juna were planning to kill you in the banquet-hall. So I came here as quickly as I could.” Her chin quivered. “But I came too late.”
   Kila stretched out her cold hand and placed it out on Lucan's arm. As she did so, her finger touched a little bit of the blood flowing out of Lucan's side. Then a curious transformation happened: Kila's skin lost its transparency; it covered vein instead of bone. But she turned into a heap of dust. Lucan cried out in grief at seeing the pile. “Oh, must I also lose one I love before I myself die?” he groaned.
   However, right after he said this, the dust sank down into the ground, and a few minutes later, a light shone in the room, blinding both Lucan and Mella. It faded a little, and so, when they looked up to see its source, they saw Kila. But not Kila the Wraith-queen: her skin glowed with light; her hair was gold and shining rays of gold on the floor; she wore a star-blue robe over a snow-white dress. This was Kila, more beautiful than she had ever been two hundred years ago. Kila walked over to Lucan and placed her warm hand on his side. The wound closed; he was healed. As he gazed up at her in wonder, she smiled at him and said, “What I didn't tell you was the hope my sister gave me before she died. She told me that if I ever touched the blood of someone who was pure of heart, who loved me, who I loved in return, I would be freed from my curse by death. That's why I seized so many bypassing travelers; I was looking for someone pure of heart. Ah, how few there are who are blameless, Lucan! For if they were not criminal, then they had wronged their family or friends in some way. None before you were pure of heart, Lucan. But your goodness has freed me; and so I have been granted the wish of my heart by Heaven, to protect you and bless you as your guardian for as long as you live. I have been a spirit of grief and terror for more than a century; but at least now, I will be a spirit of blessing and comfort for one lifetime. Look up at the stars. I will be among them watching you. Now wed your beloved, and rule your kingdom. And tend to my kingdom too. It has lain in death with me for a long time, but under your care, it will blossom to life again. God bless you, Lucan.” She kissed him and shot through the ceiling in a beam of light.
   That night, Lucan married Mella in the palace garden under the stars. After he kissed her, they both gazed up and saw the brightest, most blue-and-white star they had ever seen. They knew it was Kila. When they took charge of the kingdom, nobody made a fuss, probably out of both guilt and terror of the Wraith-queen; thus, Lucan and Mella ruled long and well as king and queen. Lucan did not forget Edessa; after toiling for many years, he was able to make it not only habitable, but also pleasant to live in. He and Mella had many fine children. Lucan never lost a war, nor was his kingdom ever wracked by plague or any other disasters. And so altogether, he and Mella lived happily ever after for the remainder of their lives, watched over by Kila in the sky. When Lucan died, however, the sky lost much of its light that night; for its brightest star, having fulfilled her duty, left her post to join her ward in Heaven.

Saturday, November 24, 2012

Movie Review: Pixar's Brave

                                                       Movie Review: Pixar's Brave
  (Once again, there's gonna be spoilers here, so beware.)
   "If you had the chance to change your fate, would ya?" This is the promo line for Pixar's latest animated film, Brave, the tale of a red-headed, frizzy-haired, Scottish princess (so you're gonna have to imagine this line being said with a Scottish accent, which is really fun to imitate) named Merida, who is also an expert archer and apparently does have the courage to change her fate: thus, she gives the title to the movie, Brave. How is she such a role model heroine? Let's see.
    In the beginning of the movie, Merida's life is stressful and full of anxiety. Why? In her words, "My mother controls every part of my life." How so? Her mother doesn't let her put her bow on the dinner table, stuff her mouth with too much food, or do whatever she wants to do for as long as she wants to during the day. In other words, her mother makes her live like a princess, basic table manners and all, instead of like a slob. How oppressive. Merida's one moment of freedom is when she goes on a ride through the glen, shooting arrows at various targets in the woods. But soon, even that is going to be taken from her...her mother is about to arrange a marriage for her, to make a strong alliance with other kingdoms. None of the three suitors are to Merida's taste: one is a vain peacock with overdone hair, another is a fat, nervous, strong kid, and another is a short, skinny, dull-witted kid. As they compete for her hand, she causes a scene by whupping all their butts at archery. Another excellent Disney example of an awesome, strong girl beating all the weak guys with sheer girl power. She and her mother get into an emotional argument over her little escapade, which ends up in her mother flinging her bow into the fire and Merida riding into the woods crying. Eventually, Merida encounters a witch and asks her to help her change her fate - by changing her mother. The witch gives Merida a pie to give to her mother. Merida gives the pie to her mother. The pie changes her mother alright - into a bear. And so, the rest of the movie focuses on Merida and her bear mother trying to change her mother back into a human.
      Let's look at the movie title again: Brave. I take it that the title is talking about Merida, in that she is brave enough to change her fate when she has the chance. Hmmm...is brave the right word? All the troubles and conflict for the heroine come from the heroine not wanting to do her duty as a princess: not wanting to eat like a civilized human being, not wanting to behave like a lady (including getting up early - that's one thing in which I sympathize with her), and finally, not wanting to get married. This is her reason for trying to change her fate, put very well by her father: "I don't want to get married. I want to stay single and let my hair flow in the wind as I ride through the glen, firing arrows into the sunset." So selfless. But enough about her reason for wanting to change her fate. How is she brave in trying to change her fate? She doesn't make any sacrifices or put herself at risk in any way to change her fate. She certainly does put the future of her kingdom at risk by first angering the ally kings with her little escapade and then making her mother unable to pacify them by turning her into a bear. She also puts her mother at risk, as her mother is at some point hunted in her bear form and also runs the risk of turning into a wild bear permanently. In a way, her mother unwittingly makes the sacrifice to change Merida's fate. I think that if Pixar was going to make one of Merida's character traits the title of the movie, the movie should have been named Selfish.
       When my mom saw one of the first trailers for Brave on YouTube, she dismissed the movie as being about a Scottish Mulan. She was wrong. Merida is not a Scottish Mulan; she is certainly not a Scottish Katniss (though she does look the part with the bow and arrows). Katniss puts herself in her sister's place and justifiably fights in self-defense. Mulan commits sin in going off to war, but she still does act with self-sacrifice, putting herself in her ailing father's place and risking her life to save him. Wrong, but braver than giving your mother a pie which changes her into a bear. Even before she goes off to war, Mulan is a sympathetic heroine. She worries about bringing honor to her family and making her father proud, not about whether or not she can stay single and free to karate chop lilies in the sunset. She is concerned about her family, not herself. Mulan isn't the best film to watch: I rank it as the third cheesiest Disney Princess film ever made, behind The Little Mermaid and Pocahontas. But it easily trumps Brave by having a sympathetic heroine.
     Brave is pretty much a mush up of all the modern Disney film themes: follow your heart, the over-controlling parent, the stupid father (or just the stupid male characters), the tomboy who doesn't follow those stupid act-like-a-lady rules, etc. It itself satirizes this through this line from Merida's dad: "I don't want to get married...." There are points I'll applaud about the film: excellent animation, funny characters (especially Merida's dad), and some surprisingly insightful truths given by the plot. But the title simply doesn't work. The creators of the film at first were going to call it The Bear and the Bow. They should've stuck with that title.

Friday, November 23, 2012

Movie Review: Comparison/Contrast Between The Hunger Games and Gladiator

                                                      Compare/Contrast Between The Hunger Games and Gladiator
   (Just as a warning, for those who haven't seen one or either of these movies, there may be some spoilers, so beware.)
    I have seen both The Hunger Games and Gladiator. What I find interesting is the contrasting reactions of some viewers towards these movies: some, after watching Gladiator, will dismiss the graphic violence portrayed in that movie or even praise it as being "cool", while on the other hand, after watching The Hunger Games, will gasp in horror and shock that the film would dare to portray children, ranging from teenagers to twelve-year olds, killing each other in such intense scenes of violence. Other viewers have frowned upon the Hunger Games' protagonist, Katniss Everdeen, as being self-serving and placing survival above all else, while raising up Gladiator's protagonist, Maximus Aurelius, as being, in contrast to Katniss, a heroic figure fighting for something higher than himself. There should be different reactions to these movies: though similar in the premise, they are so different in many other ways.
    Here are the similarities: both their protagonists are put into a gladiator situation. A situation where, in order to survive, they're going to have to kill other innocent human beings to please a bloodthirsty crowd of viewers. Also, both protagonists struggle against the forces which put them in that position: the government (in Katniss's case represented by the Capitol, in Maximus's case represented by the Roman emperor Commodus). And throughout the movies, both protagonists have to struggle against other innocent human beings (fellow gladiators) in order to survive. This is pretty much where the similarities end.
    Here are the differences: first, the movies portray their violence using different styles. In Gladiator, the cameras portray clearly and with graphic detail the bloody, gruesome fight sequences which more than once involve awful forms of death (beheading, face being crushed, etc.) and the protagonist frequently kills his enemies in gruesome ways with style. In The Hunger Games, the cameras never give much detail in the fight sequences, and the protagonist simply fights or kills, without style. These different styles evoke different emotions. While watching Gladiator, when the audience sees Maximus scissor-cut a guy's head off, instead of being horrified, the audience is fascinated by the style and the gory means with which Maximus kills the guy. While watching The Hunger Games, when the audience sees Katniss shooting a teenager in the chest or a teenager hacking at another unseen teenager with a knife, instead of being fascinated, the audience is horrified by the deaths, even though they aren't half as graphic as the deaths of adults in Gladiator. Second, the protagonists are driven by different motives to struggle against their fellow gladiators and the government: Maximus fights in the gladiator shows to take revenge upon Commodus for murdering his wife and son; Katniss fights in the gladiator shows (in her case, the Hunger Games) so that her younger sister, Prim, doesn't have to fight in them. Third, the protagonists deal with the moral dilemma of the gladiator situation in different ways. Maximus, even though he disapproves of the gladiator shows, does not abstain from killing other gladiators out of a desire to not murder, and he sometimes intentionally kills other gladiators with style. Katniss, even though the best way for her to survive is to kill other gladiators (in her case, fellow tributes), nevertheless only directly kills a couple to defend herself or her friends, and she never tries to use style in the killing. Fourth, the movies focus on different conflicts for the protagonist; Gladiator, while giving some comment on the immorality of the gladiator shows, mainly focuses on Maximus' struggle to exact revenge on the emperor and give Rome "back to the people". The Hunger Games focus on Katniss's struggle to survive while still retaining her humanity and moral ethics; thus, The Hunger Games focuses on the gladiator shows. Fifth, the protagonists deal with the forces that put them in the gladiator situation in different ways: Maximus kills Commodus, while Katniss refuses to kill her friend Peeta on the orders of the Capitol and instead tries to save them both by threatening to commit suicide. I'll end the differences list here.
    Looking at the differences list, I can't see much reason for why Gladiator is superior to the Hunger Games. Viewers go "ooh" and "aah" at the graphic fight sequences in Gladiator, but shudder in shock at the violence involving kids in The Hunger Games. This tells me that the latter movie is doing its job properly: making audiences feel horror at a horrifying subject. Gladiator also portrays a horrifying subject: grown men (and in one scene, a few women) killing each other for the entertainment of a crowd. The movie itself says it's horrible: Maximus, after stylishly killing several guys, throws his bloody sword up at the crowd, yelling in rage, "Is this enough entertainment for you?" or something like that. But, ah, I notice, after he kills several guys stylishly. He may have needed to kill those guys in self-defense, (or, being such a skilled swordsman, he could have disarmed them all and then heroically defied the audience's order to kill them), but he didn't need to kill them with style. He may throw a fit about the murder required of him to survive, but he still gives it to the audience and more. And while he murders a bunch of other innocent guys, the audience watches, alongside the bloodthirsty mob on the benches of the gladiator arena, with fascination and a desire to see more of this horror. Either Gladiator's director wrote these intense violence sequences without understanding how they would appeal to the audience, or he made the violent scenes as gory as they are in order to appeal to the audiences. In any case, Gladiator defeats its own message. It speaks against killing men for entertainment, but entertains its audience with the killing of men. Thus, Gladiator, unlike The Hunger Games, speaks against its own message.
    Now, as for Katniss spending the whole movie merely serving herself and trying to keep herself alive, while Maximus fights for something higher than himself - well, does he? Maximus' primary motive throughout the film is revenge: he wishes to kill the emperor for murdering his wife and son. And along the way, he kills several other people, who, for all he knew, had families of their own, in order to get his revenge. He only spares one guy at the end to spite the emperor. He does try to later give power back to the people, but that is not his motive for fighting in the gladiator shows. And if it was, the message of the movie would be that the ends justify the means. Not a very Christian principle. Revenge for the murder of a wife and son is a sympathetic motive, but it is not more noble than self-sacrifice: this is the motive of Katniss. She volunteers for the Hunger Games so that her younger sister doesn't have to participate in them. Throughout The Hunger Games, Katniss kills three other tributes, two in defense of her friends, one in self-defense. And towards the end of the movie, she spares another tribute, Peeta, out of loyalty to him rather than just to spite the Capitol.
    To sum up, The Hunger Games actually delivers its message to the audience, and its protagonist does fight for something higher than herself: the life of another innocent tribute. Gladiator is deficit in both these respects. So, even though The Hunger Games may not be pleasant to experience, I think it is fair to say that it is superior to Gladiator.
   Okay, sermon's over:).   

Sunday, November 18, 2012

Favorite Quotes/Passages from Fiction

                                                        Favorite Quotes/Passages from Fiction
1. "Well, try and pretend!" snaps Effie. Then she composes herself and beams at me. "See, like this. I'm smiling at you even though you're aggravating me."
    "Yes, it feels very convincing," I say. "I'm going to eat." I kick off my heels and stomp down to the dining room, hiking my skirt up to my thighs. (The Hunger Games, Ch.9)
2.Calvin: MOMMM!
   Mom: What's the matter?
   Calvin: How do ugly things like octopuses and hairy bugs reproduce? Are they actually attracted to each other?
   Mom: IT'S 3 AM! GO TO SLEEP!
   Calvin: Come to think of it, I wonder how people are attracted to each other.
   Hobbes: I'll be that's why they close their eyes when they smooch. (Calvin and Hobbes, The Days are Just Packed, pg. 5)
3. "Well," said Eilonwy, "it is very strange and all. I'm sure I don't know where we are."
    "I knew we'd end up being lost. I could have told you that."
    "I didn't say I was lost," the girl protested. "I only said I didn't know where I was. There's a big difference. When you're lost, you really don't know where you are. When you just don't happen to know where you are at the moment, that's something else. I know I'm underneath Spiral Castle, and that's quite good for a start."
    "You're splitting hairs," Taran said. "Lost is lost. You're worse than Dallben."
    "Who is Dallben?"
    "Dallben is my - oh, never mind!" His face grim, Taran began retracing his steps. (The Prydain Chronicles: The Book of Three, Ch. 8: The Barrow)
4. "Sorry, darling, it had gone right out of my head," said Lasaraleen. "Here. All of you. And you, door-keeper. No-one is to be let out of the house to-day. And anyone I catch talking about this young lady will be first beaten to death and then burned alive and after that be kept on bread and water for six weeks. There." (The Chronicles of Narnia, The Horse and His Boy, Ch. 7: Aravis in Tashbaan)
5. She reflected on the affair for some time in much perplexity, and was more than once on the point of requesting from Mr. Thorpe a clearer insight into his real opinion on the subject; but she checked herself, because it appeared to her that he did not excel in giving those clearer insights, in making those things plain which he had before made ambiguous; and, joining to this, the consideration that he would not really suffer his sister and his friend to be exposed to a danger from which he might easily preserve them, she concluded at last that he must know the carriage to be in fact perfectly safe, and therefore would alarms herself no longer. By him the whole matter seemed entirely forgotten; and all the rest of his conversation, or rather talk, began and ended with himself and his own concerns. He told her of horses which he had bought for a trifle and sold for incredible sums; of racing matches, in which his judgment had infallibly foretold the winner; of shooting parties, in which he had killed more birds (though without having one good shot) than all his companions together; and described to her some famous day's sport, with the fox-hounds, in which his foresight and skill in directing the dogs had repaired the mistakes of the most experienced huntsman, and in which the boldness of his riding, though it had never endangered his own life for a moment, had been constantly leading others into difficulties, which he calmly concluded had broken the necks of many. (Northanger Abbey, Ch. 9, pg. 59)
6. "This is a parade," cried he, "which does one good; it gives such an elegance to misfortune! Another day I will do the same; I will sit in my library, in my night-cap and powdering gown, and give as much trouble as I can - or, perhaps, I may defer it till Kitty runs away."
    "I am not going to run away, Papa," said Kitty fretfully; "if I should ever go to Brighton, I would behave better than Lydia."
    "You go to Brighton! - I would not trust you so near it as East Bourne for fifty pounds! No, Kitty, I have at last learned to be cautious, and you will feel the effects of it. No officer is ever to enter my house again, nor ever to pass through the village. Balls will be absolutely prohibited, unless you stand up with one of your sisters. And you are never to stir out-of-doors, till you can prove that have spent ten minutes of every day in a rational manner."
    Kitty, who took all these threats in a serious light, began to cry.
    "Well, well," said he, "do not make yourself unhappy. If you are a good girl for the next ten years, I will take you to a review at the end of them." (Pride and Prejudice, Ch. 48, pg. 222-223)

Sunday, November 11, 2012

Favorite Characters from Fiction (Including TV&Movies)

                                                     Favorite Characters from Fiction (Including TV&Movies)
                                       1. Frodo Baggins
                                       2. Theo (from Westmark)
                                       3. Taran of Caer Dalben (The Prydain Chronicles)
                                       4. Digory Kirke
                                       5. Roland (The Song of Roland)
                                       6. Johnny Tremain
                                       7. Tom Sawyer
                                       8. Prince Zuko
                                       9. Eustace Scrubb
                                      10. Anikin Skywalker
                                      11. Mike Ross (Suits)
                                      12. Azula
                                      13. Mr. Darcy
                                      14. Elinor (Sense and Sensibility)
                                      15. Rory (Doctor Who)
                                      16. Captain America
                                      17. Shawn Spencer (Psych)
                                      18. Thor
                                      19. Rory (Doctor Who)
                                      20. Percy Jackson (Percy Jackson and the Olympians)
                                      21. Sam Fisher (Splinter Cell video game series)
                                      22. The Arbiter (Halo video game series)
                                      23. Rosalyn (Calvin and Hobbes)
                                      24. Jim Hawkins (Treasure Planet)
                                      25. Barbara Grant (Catriona)
                                      26. Kylie Sheppard (Last Resort)
                                      27. Christine Kendal (Last Resort)
                                      28. Arthur (Merlin)
                                      29. Antigone (Antigone)
                                      30. Alleyne Edricson (The White Company)
                                      31. Wes Mitchell (Common Law)
                                      32. Regina (Once Upon a Time)

Wednesday, October 31, 2012

Top 10 Reasons I Keep Writing

                                                              Top 10 Reasons I Keep Writing
10. I love stories!
9. Others can see the stories I have in my head.
8. It's relaxing homework.
7. I'm hoping to write some movie scripts when I grow up, so I need to practice writing stories.
6. I can engage my imagination.
5. Writing is one of my talents (if I do say so myself).
4. It's fun to read the images you have in your head on paper.
3. Writing is a way to express my life experiences and sensations.
2. I can put people in my life whom I like (or don't like) in my stories.
1. There are a lot of good stories that need to be written!

Friday, October 19, 2012

      In the wild places which humans call empty and uninhabited, there are dozens of animals that can be seen if while talking a stroll through nature and hundreds more hidden from human sight;  there are thousands of bugs which can be seen and millions more hidden deeper in the leaves, grass, and earth of nature. In one particular patch of woods there was a colony of leaf-cutter ants. The ants called themselves "The Colony of of Humped Trees". It was an organization with a clean slate, well-reputed for industry, unity, and practicality (most ant colonies are). However, among the ants themselves, there was what bugs call a strange-shelled larva: a young male ant named Jangular.
     Yes, Jangular was the pariah in this most revered colony. What fault made him such? It was what the old ants called...well, not laziness. Certainly not! It was a known fact, established since the first ants to walk upon the earth, that there would be a lazy ant, a stupid spider, or a white-striped wasp (white stripe means the same thing to bugs as white feather means to humans) when cows fell from the sky, pigs grew wing, etc., etc. In other words, there would never be any such specimen. So of course, Jangular was not lazy. But he was...not idle..frivolous perhaps? But then the old ants remembered that frivolous could mean lazy. No, not frivolous. It wasn't that he didn't work as hard as he should; then he would be lazy.
     No, he was misleading. That was it. He did not direct his efforts in the proper direction. While all the other ants marched in their endless lines, bearing their heavy loads with stoic silence, the old ant overseers would find Jangular drawing on a scrap of leaf. When they hobble-marched over to ask what on earth was he doing, he would reply, his black eyes glued to his artistry, "Calculating the maximum weight that the average leaf-cutter ant can bear," or something like that. When they demanded why, he would give an answer such as, "I want to know how much produce ants could bring in if there was an emergency, or something like that." The old ants would then launch into a lecture of the evils of useless curiosity and and hypothetical theory. Jangular would ignore them.
    While his coworkers were transporting food across the stream, paddling on fallen leaves with their twigs, Jangular was loading odd bits and ends that he had cut with his fangs onto a leaf - to see how much a leaf could carry. While they were constructing an expansion to their numerous weaving tunnels, Jangular was weaving a ball of intertwining twigs and leaves with little rocks sitting on the leaves - this was how he would start his ant hill from scratch. And so, while all the other ants hustled to and fro from morning to nightfall, Jangular was always doing something that the old ants called "not lazy...but improper". And Jangular was always ignoring them.
   One day, Jangular had finished sketching a picture of several trees slowly growing around a sand pile (his predictions on the likelihood of a tree growing up underneath the ant hill). "That's that," he said. He couldn't think of anything else to do. He didn't want to join the other ants in their work. They merely did the same things over and over again, with no change or creativity; the only exciting thing that happened was when they hoisted another bug home for dinner; even that lost its thrill after a while. Oh well, when there's nothing to do, the only thing to do was find something to do; and he just did.
    Up ahead there was a pile of ivy leaf scraps left by his coworkers; and a path had been stomped through them. He was going to find out where it led and who had made it. Then he would know what sort of creatures were stalking around the colony.
    He began to scurry down the path, but the leaf scraps slid under him and down the hill. He zoomed past towering bushes, thickets, and blades of grass; at the bottom of the hill, a gaping black hole loomed up ahead. Jangular, whatever his deficiencies in work ethics, knew the common bug fact that black holes, except for those in his ant hill, were not a safe place for small creatures like him to go in alone; for they usually were inhabited by spiders, gophers, moles, or mice - animals which could snatch him up and crunch him in half with one bite. He scrambled to get off the path, but to no avail; the sliding debris pulled him down the path and into the hole.
    Jangular felt air rush past him for thirty seconds - those seconds seemed forever to him - and then hard ground. The air whooshed out of his stomach and his six legs splayed out in all directions. His head was almost bursting with pain, so he kept it on the ground. A few minutes later, the pain in his head eased a bit, and he focused his eyes on the darkness and strained his antennas to feel any vibrations on the ground. He tried to scoot his legs back under him, but dropped back down, swallowing a groan. His legs burned. Panic started to shudder through him, but he didn't make a sound. There was enough light from the hole above him to take in a little bit of his surroundings. He had fallen onto grey sand and on each side of him there were clay walls with roots sticking out - and webs. Webs; now he knew what kind of creature's hole he had fallen into!
    After a few minutes, Jangular eased his legs back under him, clenching his mouth over the moans that fought to rush out. There was no point in staying where he was: the walls were steep, so it wouldn't be smart to waste time trying to climb them until the spider found him. Focusing his eyes on the darkness, Jangular saw a tunnel up ahead with stuff that looked like ragged bits of cloth hanging on the walls. Webs most likely. Well, nothing to do except explore. It would be best to move slowly, in case the spider was big. Big spiders detect their prey through movement, so he would be harder to detect if he moved slowly. Besides, there was no point in rushing into even the smallest of spiders, who were about his size.
    Hunched down, Jangular crawled through the tunnel. At end of the tunnel, he came to a crossroads of two splitting passages. The left passage was a looming cavern to the right passage. The smaller the better, for then there was less room for the spider's legs, which would force the spider to move more slowly. Right passage it was, then. Jangular went on from there, always choosing the smaller passage when possible and always looking for a little bit of light which could lead him to the surface. For a long while, though, there was no light, only dark openings on either side of him, gaping mouths in the walls of the passages.
   At last, however, after coming out into a large tunnel, he saw a patch of light streaming around a corner at the end. He wanted to sing for joy! His muscles relaxed, his feet flew off the ground, his eyes stared transfixed at the doorway to freedom - then a hulking shadow moved into the light.
  Jangular froze in his tracks, the gears in his brain spinning faster than a comet. Should he run the other way? Try to run past the spider? Hide? If he ran the other way, the spider would eventually find him and trap him. He couldn't run past the spider; he would be gobbled up in a half-second. Only one option, then: hide. Spotting a hole a few inches higher than him in the right wall of the tunnel, Jangular crept into it, forcing himself to keep a steady rhythm.His abdomen had just come in when swish! There was a rustle behind him.
  Jangular turned around - a difficult task, for his hiding place was only a little wider than him -and saw a hairy black leg in front of his hole.
  He crouched, stiller than a rock, and waited for the spider to pass by, but the leg did not move. He waited for a few more minutes. No movement from the leg. Had the spider died, perhaps? No, she (he knew it was a she because the female spiders are usually the large ones) had most likely seen him and was waiting for him to become impatient and venture out of the hole. Well, he may be misleading and exerting his efforts in the wrong direction, but he was not a fool. Still, he couldn't stay in the hole forever, so what should he do? Ah! an idea! but a risky one. Well, here goes!
 Jangular braced himself and called out, "Hello there!" In two seconds, the leg was replaced by a huge, hairy, black head, eight bright eyes, and fangs twice the size of Jangular. The spider was of the kind humans call tarantula.
 "Hello." the spider said, her eyes gleaming with cunning and appetite. "Glad to have a visitor. I hope you found my home quite comfortable. Please tell me, who do I have the pleasure of addressing?"
 "Jangular, at your service. And who is my most polite hostess?"
 "Hairweb. Now a name's not much of an acquaintance, if one creature doesn't know the appearance of another too. So tell me, Jangular, what are you?"
 Jangular hesitated. There didn't seem to be any harm in answering the question...but wait! If he told Hairweb he was an ant, she'd know what to look for. And that meant goodbye to any chance of escape. "Oh, let's not dwell on such a boring topic as what I am." he said with a forced lightness "I'm more interested in you. I've never met a spider of your kind before, but I've heard that you are a lovely sight. And judging from your looks, I seem to have heard right."
 Hairweb's body sank lower to the floor; her fangs rose up higher in a spider smile. Spiders (though they don't know it) are famous for being the most vain, as well as the most cunning, species of bug. Every spider thinks she has a certain degree of good looks, whether or not it is true. Hairweb was no exception. "WELLL," she said, "whatever creature you may be, you certainly do have some charm.So, delight me with your taste for beauty and form. Tell me, is my body, with its exceptional mass and volume, a delectable view?"
 "Yes, yes, altogether shapely and magnificent, it is a well-proportioned body," said Jangular.
 "Would you call the hairs fine, punctuating from my skin with such versatility?"
 "Well...er...come to think of it, yes I would. They add much...beauty to your appearance."
 "And is there fascination in my eyes?Is there allure? Do they draw you in with their depths of cunning, intelligence, and domineering power?"
 "Indeed they do! They overawe me! They are the facets of power in your looks. The effect is overall...asmaranthine."
 The answers in Jangular's head did not match the answers from his mouth; but it's not always wise to be frank, especially when the other creature is ten times one's size.
 Hairweb's fangs curled up - that's what spiders call a smile. "So eloquent and well-spoken," she chuckled. "I don't wish to flash my own web, of course, but I must say, you have described me with paramount accuracy. Tell me, of the other spiders you have seen, how do I compare?"
  Jangular hesitated. Was there any harm in answering the question? Not that he could think of. As a matter of fact, this may be his moment! Slowly, so creeping slowly, he sprung up his legs.
  "You know, I have observed quite a few of your species before," he said, "though only a few others, mind you - I'm a rather uncultured and home-rooted insect - but so far, I must admit, you conquer them all easily. For one or two did not have nearly as many body hairs as you did; as a matter of fact, they were as slippery as wet mud. Rather distasteful to look at, you know. And as for the others, well, their bodies were not at all in proportion; either the head was too small or too big, and their legs!" He sighed. "Don't get me started on their legs, they looked like thistles. So, to be honest, the other spiders I've seen...they're lead and you're silver, they're bushes and you're an oak tree, they're stars and you're the sun, they're grasshopper wings and you're a caterpillar for the eyes to eat." (When bugs are starving, they'll say they've "only had grasshopper wings to eat". When food is plenty, bugs will say "their mouths have been full of caterpillars day to day".)
    A long hiss seethed from behind Hairweb's fangs and her head sank all the way down to the floor. For a few minutes, there was cold silence. Then she murmured, "